There has been a lot of discussion and a lot of fear among photographers regarding potential orphan works legislation.
A major problem with current copyright law is that it does not provide a way to use a creative work that has been abandoned (no entity can be found to claim ownership). The premise behind an "orphan works" addition to copyright law is that it would provide a means for anyone to make use of copyrighted material that no longer has an owner.
It works by limiting damages that can be claimed if the work truly falls under orphan works protection. If a person wants to use a work they must ask permission from the copyright holder just as they do now. Under the current law, if they can't find the owner they are out of luck. With the orphan works bill in effect, they could use the work after conducting a diligent search and failing to find the copyright owner. Later, if the original owner shows up, he must be paid fair royalties for the use of the work. It does not limit or change Fair Use.
This would be a huge boon to the public allowing new use of material that has lain dormant and forgotten for decades due to inflexible copyright restrictions. For example, you'd now be able to make reproductions of vintage family photos even though the original photographer cannot be located.
Obviously, a lot depends on how one defines "orphan" and "diligent search." This has caused some debate among photographers and other artists who worry about corporations making blanket grabs of copyrighted material and claiming they conducted a search. This is mostly irrational fear. As written, that scenario would not pass the test of the "qualifying searches" section of the act which includes a court, following best practices as written by the copyright office, and that the search took place immediately prior to use. Of special note: the lack of any identifying information on the work is not sufficient to meet the standard. You really have to look.
The EU is studying the problem (link below). Canada actually has a similar orphan works bill in effect. Since 1990, they've issued a grand total of 222 licenses to use orphan works. This is hardly the blatant rights grab that some people fear.
You can read the announcement and text of the bills below. And for context I highly recommend reading the US Copyright Office report (linked below) which does a fantastic job of explaining all sides of this issue in plain language. Educate yourself before succumbing to the fear and doubt being cast on this.
WASHINGTON (Thursday, April 24, 2008) – Leading members of the Senate and House Judiciary Committees today introduced bipartisan, bicameral legislation to preserve so-called “orphan works” – works that may be protected by copyright, but whose owners cannot be found. Potential users of orphan works often fail to display or use such works out of concern that they may be found liable for statutory damages, amounting to as much as $150,000.
Legislation to address those concerns was introduced today in the Senate by Judiciary Committee Chairman Patrick Leahy (D-Vt.) and Sen. Orrin Hatch (R-Utah), a senior member and former chairman of the panel, and in the House by Rep. Howard Berman (D-Calif.), chairman of the House Judiciary Committee's Subcommittee on Courts, the Internet, and Intellectual Property and Rep. Lamar Smith (R-Texas), ranking member of the House Judiciary Committee. The bill is co-sponsored in the House by Judiciary Committee Chairman John Conyers (D-Mich.) and Rep. Howard Coble (R-N.C.) The legislation would enable users to exhibit orphan works if, after a thorough, documented search, the copyright owners are unable to be located. The legislation outlines the criteria for such a search, and provides for court review to determine if a search has been adequate and done in good faith. If the copyright owner later emerges, the user must pay reasonable compensation to the owner. The bill also includes provisions to further protect owners of these orphaned copyrights, should any user exhibit bad faith.
“This legislation will help bring together potential users and owners of orphan works,” said Leahy. “But also as important, it will allow the public to view works that may remain orphaned. A Vermonter can restore a family photograph from three generations ago, even when the original photographer is no longer available to give permission. With this bill, we can preserve important parts of our personal and national heritage, without giving a free license to infringe on established copyright protections.”
“There are thousands of artistic creations around the country that are effectively locked away and unavailable for the general public to enjoy because the owner of the work is unknown. Identifying the owner of a copyrighted work is difficult in many cases and represents a huge liability to those who would bring the work into the public domain without permission,” Hatch said. “This bill represents a commitment from Congress to unlock orphan works so the general public may once again enjoy them.”
“Too many valuable works are unused because their creators are unknown, and potential users fear excessive liability,” said Berman. “We must act to lower the legal barriers that keep these works from the public.”
“Millions of copyrighted works are effectively ‘locked up’ and unable to be enjoyed by the public due to our current copyright system,” said Smith. “As a result, investments in new works and expositions by libraries, museums and others are frequently not undertaken due to the possibility of lawsuits and large statutory damage awards. By placing reasonable limitations on liability, while ensuring that owners receive compensation for the use of their works, the bills introduced today will help reduce uncertainty and encourage creativity.”
Leahy, Hatch, Berman and Smith have longstanding interests in intellectual property issues, and have introduced copyright legislation in the 110th Congress, including a bipartisan, bicameral bill to reform the patent system.
Those of you who write blogs using WordPress now have a new tool to help you find quality photos to illustrate your words: the Photo Dropper. The Photo Dropper allows you to find Creative Commons-licensed photos on flickrand add them to your blog. You find images by doing keyword searches, and after you have selected the shots, the Photo Dropper even adds proper attribution links. It’s easy, it’s free, and you never have to leave the WordPress dashboard while you are working.
That said, we should add a few caveats. First, be sure you understand the various types of licensing before you begin. Some images cannot legally be altered. Others can be used only for noncommercial sites. The various types of licensing are clearly explained in an article on skelliewag.org.
In a post titled "My Friend Flickr: A Match Made in Photo Heaven" on the Library of Congress blog (who knew the Library of Congress had a blog?), the Library of Congress, the largest library in the world and research arm of the United States Congress, announced today (January 16th 2008) that they have posted over 3,000 photos to Flickr from their most popular collections. And all of the photos have no known copyright restrictions.
The real magic comes when the power of the Flickr community takes over. We want people to tag, comment and make notes on the images, just like any other Flickr photo, which will benefit not only the community but also the collections themselves. For instance, many photos are missing key caption information such as where the photo was taken and who is pictured. If such information is collected via Flickr members, it can potentially enhance the quality of the bibliographic records for the images.
How cool is that? But there's more! This is a pilot project created in partnership with the Library of Congress called The Commons. The Flickr blog describes it best:
There are two main aims to The Commons project, starting with the pilot: firstly, to increase exposure to the amazing content currently held in the public collections of civic institutions around the world, and secondly, to facilitate the collection of general knowledge about these collections, with the hope that this information can feed back into the catalogues, making them richer and easier to search.
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