Professional photographers and shutterbugs alike were excited when Nikon Corporation launched in January 2016 the Nikon D5 (the most advanced professional DSLR to date), as well as the Nikon D500 (which replaced the D300S, Nikon’s previous DX-format flagship DSLR).
Let’s take a deeper look at each of the new Nikon cameras. Read more…
Several unconnected events converged to make this photo (below). First, I received a review copy of The Nikon Creative Lighting System by Mike Hagen (from rockynook and NikoniansPress publishing). A review is on the way. Second, and more importantly, I received as a gift a bottle of Balvenie Doublewood 12 year old single malt scotch.
Read on to get details of the lighting setup and what I think works and could be improved in this photo.
This scene was lit with two off-camera flashes. The first reflected from an umbrella directly to camera left set at -1.3 EV. The second directly behind the bottle, aimed at about a 45 degree up angle and towards the camera at 0 EV (TTL mode, normal sync). This flash was zoomed to 50mm. Both flashes were triggered wirelessly from the D90 built-in commander which did not contribute to the exposure. 98mm, 1/60s, f/5.6.
Let’s talk about what I like in this photo and what I don’t like. First, the good. Overall, I got the effect I was going for. The scotch seems to radiate with a warm, inner light (which is just how it makes you feel). The tone is somewhat dark and moody as one would expect from a drink that’s so, you know, manly.
I intentionally used settings to blur the background container while still keeping all of the important text legible. I very much like the reflections of the whisky on the container. The background is dark and all of the attention is on the bottle. This photo (shot as a JPG fine) was cropped, resized, and sharpened slightly. No other image adjustments were made. It was the best of about 15 different takes.
Flaws are more interesting thought, aren’t they? For starters, the bottle isn’t full (a). I was willing to sacrifice a perfect photo for a dram or two. I guess that makes me a bad photographer. But I have no regrets.
I zoomed the flash behind the bottle to 50mm to help minimize light spill (b). You can still see some light reflecting off the bottle, lower right. This would be virtually impossible to completely eliminate without using a snoot for the flash but is easily removed in post-processing.
There’s even more light spill lighting up the side of the container behind the bottle. Whether this is a flaw or not is a matter of taste. Again, it could be eliminated with a snoot on the rear flash. This area would be more difficult to deal with in post.
I have a feeling that the photo would be better off without the window reflections on the bottle (d). Or perhaps, with cleaner reflections. Closing the curtains or moving to a different room without windows would have helped. It would be very difficult and time-consuming to cleanly remove the reflections on the neck in post so this is definitely a decision you want to make while shooting.
A little extra light on the tube container in the background (c) would have helped balance the photo a little better and added interest without taking away from the bottle. Maybe just a little rim lighting on the left side. Or maybe a dim spotlight thrown across “The Balvenie”…
What do you think? Any tips to share? What would you change about this photo?
Happy new year! I hope you had a great holiday and got to spend some quality time, as I did, with the people you love. I thought a quick look back at some of the most popular posts of 2008 would be a great way to start Photodoto.com’s third year.
As you can see, our posts run the gamut from quick tips, core photography instruction, and reviews…to software, image editing, and fun projects. And we’ll have a lot more in 2009. So thanks for reading, tell your friends, and stick around—it’s going to be a great year!
Quick Fix for Cluttered Backgrounds
Despite all that has been written about keeping the background of your photos simple, that goal is not always achievable. Sometimes your subject is in a place with a busy background everywhere. Or perhaps the subject is doing something that you don’t want to interrupt by walking around the person or requesting that she or he move to a different location.
The importance of focus and quick tips on how to get it right
Focus in photography is about a lot more than simply sharpness or being able to see what you are looking at. Focus can enhance a subject by making it stand out from or blend into its surroundings, focus can draw you in, and the right focus can create an emotional connection with the viewer. No matter what style of photography you enjoy, focus can work for you or against you.
Black and White with a Splash of Colour
One of the techniques people most often ask me to teach them is making a photograph like the one on the right that is black and white with one other colour. There are a few ways to achieve this effect but here is the one I find easiest for Photoshop users.
Review: Nikon Coolpix S550
Before you even take it out of the box the Nikon Coolpix S550 looks cool (mine looks especially cool being “cool blue” coloured). But while looking good is nice the important thing is how it performs.
Big and Tasty Food Photography Tips Roundup
I’ve got a nice roundup here of food photography sources with a ton of great tips, tutorials, and videos for making food look tasty on camera. How seriously you take this probably depends to some extent on whether you’ve ever heard the term “food stylist.”
Basic Travel Photography
I’ve just returned from a little jaunt to Portugal and I have to say there is little else that gets me as eager to get my camera out as wandering around a city I’ve never seen before. And of course, in the age of the compact digital camera pretty much everyone takes a camera with them when they travel these days. But how do you come back with photographs your friends and family won’t have to feign interest in?
Take better flash photos in one easy step
Many people shy away from flash photography because it makes people look bad. Photographs taken with a flash can leave harsh shadows that highlight every wrinkle, turn skin blue, shine a flood light at thinning hair, create hot spots on the forehead, nose and cheeks, and generally make subjects look unattractive. But when there isn’t enough light, sometimes your only choice is to use a flash or not take photos at all.
Review: The Flip Mino HD Video Camera
I really like the Flip video cameras. I reviewed the original Flip Mino back in June and recommended it for anyone who wanted to shoot more than a couple of minutes of video at a time or who wanted to reserve the space on their camera’s memory card just for pictures. The Flip Mino is a handy, compact, easy to use video recorder. And the Flip Mino HD is virtually identical in every way except one.
Free noise reduction plugin for the GIMP
But one thing my stock GIMP install didn’t have was a decent noise removal filter. That is, until I downloaded and installed the GREYCstoration plugin. Installing it is as simple as downloading and dropping the plugin into the GIMP plugins directory. Restart GIMP and you’ll find a new menu under Filters | Enhance | GREYCstoration.
Buying a digital camera for your kids
My kids are naturally curious about photography having a shutterbug for a dad. I started them out tentatively with some disposable film models but those were unsatisfying. Too slow. No LCD screens. Kids aren’t known for their patience. Digital was made for them.
Learning Composition: The Rule of Thirds
Whether you’re feeling artistic or not, good composition is important for making images that resonate with viewers. Everything else being equal, poor composition can create an itch in a viewer—a subconscious and annoying one that can’t be scratched.
Tethered shooting on Ubuntu Linux using gPhoto2
My D70, like most digital cameras, has a USB port that allows me to connect it to my computer and download photos. Many cameras also allow you to control them using your computer when they are connected. This is called tethered shooting.
Introducing Your Little One to Photography
One of my day jobs involves working with special needs children and children in hospital. I do a lot of work with children on the autistic spectrum and children with learning difficulties, as well as with at-risk youth and kids with chronic illnesses. One of my absolute favourite things to do is introduce these children to photography. Not only do I enjoy sharing my passion but for a lot of the children I work with it is a unique way for them to express some creativity.
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