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I'm a person who loves both words and images. A writer by profession, I'm a passionate photographer in my free time. I do not see the arts as a competitive activity, since no two people would ever create the same work even if they had the same subject. I welcome comments and suggestions from all.

Using Overexposure

Most times when photographers shoot pictures, they work hard to get the exposure correct so that their images reflects what they saw in real life. At times, though, I deliberately over or underexpose for effect. In an earlier post, Creating Blackgrounds, I discussed how to use underexposure to create dramatic black backgrounds. Similarly, you can use overexposure to create other specific effects.

tulips

For example, overexposure can create a light, dreamy, impressionistic atmosphere. Edges blur, colors soften, and a light background fades to white. The subject is enveloped by light.

The tulips here look soft and delicate, even though their petals and leaves are firm. The pastel colors suggest spring, new growth, and freshness. A different exposure might have captured the shapes more clearly, but the effect would have been totally different.

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Photographer Gary Parker

I admit it—I’m smitten. Photographer Gary Parker is my man of the moment. An award-winning photojournalist, portrait and commercial artist, Parker’s work delighted me instantly.

His website is correct when it describes him as a photographer who truly captures souls. It states, “No one’s quite sure how he manages, but Gary elicits from his subjects – human adult, child, animal, four-legged or two-toed – the part of themselves most of us try to hide – the spirit within.”

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Improve Your Images

Most of us like our photographs, or we’d stop taking them. Yet often we will see someone else’s picture and stare in awe. “How did the photographer do that?” we may wonder. Often, the leap between that person’s work and our own seems vast.

Physician and photographer George Barr has posted a series of online essays that may help answer that question. “Taking Your Photography to the Next Level” provides details about a host of factors that combine to create impact–or lack of it–in an image.

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Negative Space Can Have a Positive Effect

Many elements work together to create a pleasing photograph. One such elements is negative space. Negative space is all the space inside the picture that is not the subject. The edges of any picture form a frame for that picture. Within that frame, the subject is considered the positive area; the rest is called negative space.

The word negative is used descriptively; it is not a value judgment. Negative space is not something to be avoided. However, it is something to be considered, because it is an important part of a picture’s composition. It is a design element in your image.

A stencil can help you recognize this importance. Here the subject is the brass object, but the negative space that forms the letter is equally if not more important.

Negative space has several functions. It helps define a subject. In many cases, it also provides a vital element in the design of your image. Since a photo is two-dimensional, the space around a subject appears on the same plane as the subject. Negative and positive spaces are side by side.

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Too Many Tripods to Choose From?

I was browsing through nikonian.org a few weeks back and found a great offering for folks like me, who want to upgrade from a rickety tripod to a more stable one. As soon as I began looking, I felt the strong urge to take a nap; I was overwhelmed by the number of choices.

Help arrived in the form of James Geib’s “Tripod Comparison Spreadsheet,” a compilation that lists more than 100 tripods and their specifications. The chart arrives as an Excel spreadsheet and lists makes and models, prices, maximum load, tripod weight, maximum and minimum heights, as well as folded heights. What makes this particularly useful is that the columns can be sorted. If price is your deciding factor, sort by price. However, if maximum load really matters, you can sort that way.

To get a copy, write to James_Geib (at) yahoo (dot) com. My copy arrived quickly and was automatically updated after the author found an error.

Original forum post at Nikonians.org

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Playtime!

Some days are rushed, but others present a perfect opportunity to play with your camera. Last week, a friend gave me a bouquet of daffodils. They looked so bright and springlike, that I decided to shoot some pictures of them.

The hour was early, and light came in only one window. First, I stood by the window to shoot the flowers, which jumped out against the darkness of the room behind. Later, though, I tried other positions, such as standing in the room and shooting toward the window. Then I wondered how the flowers would look in my upstairs room with the skylight, so I dragged the bouquet up there to shoot some more.

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Silhouettes: An Old Art Form Made New

Silhouettes were a popular art form in the early 1800s. Film did not yet exist, but skilled artists could look at subjects and then cut out remarkable likenesses using black paper and sharp scissors. People had silhouettes made of loved ones and framed them like portraits. The fad declined in popularity after cameras became more universally available.

Still, silhouetted images can be striking. They are also remarkably easy to create with digital cameras and worth mastering. If overdone, they can be tiresome, but when well done they can be fun.

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REVIEW: Picnik.com online photo editor

Picasa was the first online editing software that I heard people rave about, but I was left out of the fun; I couldn’t use it from my Mac. I still can’t, because I haven’t upgraded to 10.4, so I’ll never know what all the fuss was about. However, now I can play with Picnik.com, so I’m a happy camper.

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