Trying your hand at pinhole photography is easy and can be a lot of fun. Pinhole cameras pre-date autofocus and megapixels. They hearken back to a simpler time when a camera was literally just a box with film in the back. Photos made with pinhole cameras exude a fuzzy, low-fi charm that’s hard to resist. That said, it’s not for everyone, but I hope you’ll give it a try. If you’re anything like me, you’ll feel a little magic happening when you see that first photo. It’s sort of like stepping back in time. Have I convinced you? Do you have 30 minutes to spare? Read on to find out how to get started.
Chernobyl Legacy is a heart-wrenching photo essay that reveals, in a series of stark, intimate and haunting portraits, the terrible human cost of the Chernobyl nuclear reactor accident. You’ll never be able to forget after you see it.
Photos posted in this category are selected from the contributions of members of the Photodoto discussion group at Flickr.com.
In the previous two installments of this series, basic concepts and lines and curves, we covered how to control what is in your viewfinder and the use of lines in your compositions. In this third article, I want to talk a little more about framing because it is so important. In particular, a very simple concept that can have a profound impact on your photographs: filling the frame with your subject.
I was planning on having the next post in the composition series up this morning, but life hath intervened. I’ll have it up later tonight. In the mean time, check out these interesting web morsels: