Tag: popular

Learning Composition: The Rule of Thirds

By Nicholas
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Whether you’re feeling artistic or not, good composition is important for making images that resonate with viewers. Everything else being equal, poor composition can create an itch in a viewer—a subconscious and annoying one that can’t be scratched.

Composition in photography refers to the arrangement of elements in an image. Those elements can be subjects, foreground, background, and props. They can also be color, focus, and balance.

rule-of-thirds-1

It can be a difficult concept to grasp which is why people invented “the rule of thirds.” In this article, I will explain everything you need to know about this rule, along with all the examples you will need to become a master at it.

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Photographers are visual liars

By John Watson
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Maybe not all of them and maybe not intentionally (in some cases) but, more or less, almost every photograph is a lie of sorts. I’m not even talking about post-processing. We portray what we want the world to see. Each one is a view of the world from the photographer’s viewpoint. The only photos I can think of that might be totally honest are documentary and clinical in nature like, perhaps, crime scene photos. But I even wonder about those.

Bachelor pad

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The making of a “simple” snapshot: a photo essay in four frames

By John Watson
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Last night, as she tucked our son into bed, my lovely and talented wife came into the office in search of the camera. Our conversation went something like this:

Wife: “Where’s the camera? I need to take a picture of your son. How do you get this thing off the tripod?”

Tripod head

Me: “Wait a second. You’re going to need some light.”
Wife: “This is supposed to just be a quick snapshot.”
Me: “Do you want a blurry mess or do you want to be able to see what’s in the photo?” (Set flash to TTL BL, +1 EV, on-camera, oriented to bounce off ceiling and adjacent wall. Camera set to ISO 200, P mode, +0.7 EV)

SB-800 Speedlight

Me: “Oops, you’re going to need some film.”
Wife: Grrr.

Flash memory

Me: “There you go.”
Wife: *Click!*
Me: “Hey, presto!”

Snapshot

Scene and composition: The Lovely and Talented Wife
Camera setup: Me

… Continue reading The making of a “simple” snapshot: a photo essay in four frames

Take better flash photos in one easy step

By John Watson
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Photo by *Micky
Photo by *Micky

Many people shy away from flash photography because it makes people look bad. Photographs taken with a flash can leave harsh shadows that highlight every wrinkle, turn skin blue, shine a flood light at thinning hair, create hot spots on the forehead, nose and cheeks, and generally make subjects look unattractive. But when there isn’t enough light, sometimes your only choice is to use a flash or not take photos at all.

Well, I’m here to tell you that your flash photos indoors can look amazing. And here’s how…

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Quick Fix for Cluttered Backgrounds

By Elizabeth West
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Despite all that has been written about keeping the background of your photos simple, that goal is not always achievable. Sometimes your subject is in a place with a busy background everywhere. Or perhaps the subject is doing something that you don’t want to interrupt by walking around the person or requesting that she or he move to a different location.

I have found a very quick solution for such cases. Take the picture you want and then work on the background in Photoshop or another image editing program. First, I crop such images to remove part of the background. That alone makes the background somewhat less intrusive. But often I don’t want to eliminate it entirely; I merely want to de-emphasize it. One quick fix is first to blur the background slightly and then to adjust the saturation of both background and subject.

My brother PeteRecently, my brother came to visit. He and another friend of mine had an animated conversation in my kitchen. These were two very large guys and their expansive gestures and expressions really captured my interest. I grabbed a camera and took a whole series of pictures of them holding their conversation in my cluttered kitchen.

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Get Stable Without a Tripod

By Ray Davis
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I recently bought my first tripod. More than a year after I first started making money with my photography, and two years after I got my first decent camera. I finally got one because I’ve been asked to do photography at several night time events over the coming months but I had resisted buying one for so long because I find them (the affordable ones anyway) too heavy and bulky to be practical. For those of you who may also be making do without a tripod here are a few other options for getting stable:

Monopods. These are little poles that you mount your camera on top of. They are lightweight and easy to move and some of them come with velcro straps so you can attach them to fence posts and the like. However they’re not great for long exposure and some monopods may not be strong enough to hold a larger SLR camera.

Beanbags. Very cheap, light weight, and easy to squash into an overstuffed camera bag. Beanbags make excellent camera supports and almost never break! Simply put a beanbag between your camera and a rock/bench/tree/car roof and it’ll support your camera perfectly.

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De-clutter Your ‘pictures’ Folder.

By Ray Davis
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As part of a Christmas present I recently found myself spending a sizable chunk of my evening searching through seemingly endless folders on my laptop trying to find photographs of a friend’s son. In the end I just downloaded the photos from my Flickr account. My computer filing system is a mess, to say the least!

For those of you out there who may be similarly organisationally-challenged here is a brief guide to a simple work flow to help prevent the image chaos I’ve ended up with. It’s going to be my New Year’s resolution to try and stop just dumping DCIM folders onto my desktop and actually implement something like this!

1. Edit as you download.This requires a little bit of brutal honesty towards your photographs. The idea is to get rid of the shots you are never going to look at again before they even begin to take up space on your desktop. Keep photos of family and friends (even the technically bad shots might prove useful for blackmail in the future!) but be selective about other shots. Ask yourself if you aready have a better shot of the same view/landmark/object.

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Photo book buying guide

By Ray Davis
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Last year I worked for a family with two wonderful children and when I left I wanted to make a photo book for them with some of the hundreds of photos I’d taken during the year. Well, things got chaotic as I packed up my life to move 3, 429 miles across the country, and in the end I simply didn’t have time to chose the photos, upload them to a suitable website, order the book, and wait for it to be delivered.

The idea came back into my head recently as I was thinking about Christmas gifts and this time I was just about organised enough to pull it off. But, man are there a lot of website offering photo books out there! So for those of you who might be looking for a quick comparison of prices here’s the little table I made while I was searching for the best deal.

Company

Book Size

Cost

Shipping

Other Info

Shutterfly

12×12

$54.99
for 20 pages

$1.50/extra page

$9.99

25% off
extra books if you

order more than one.

… Continue reading Photo book buying guide

I’m ready for my closeup: 6 methods for perfectly focused self-portraits

By John Watson
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Self-portrait shooters usually rely on the trial-and-error method of focusing. Shoot, shoot, and shoot again until the perfect combination of pose, exposure, and focus are achieved. But there is a better way (several, in fact)! All of these methods are quick and easy and will give you accurate focusing without a lot of frustrating trial and error.

Before you begin, you’ll just need to acquaint yourself with how to put your camera into manual focus mode. You won’t actually use manual focus for focusing—you’ll just use it to keep the focus once you’ve got it set just the way you want. For each of the methods below (except the last one), you’ll auto-focus first and then set the camera to manual focus so that it won’t attempt to re-focus when you take the shot. You’ll also find that having a remote shutter release helps immensely.

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Ten Tips for Photographing Pets

By Elizabeth West
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This time of year, many photographers are trying to take pictures of their pets wearing fake antlers, Santa hats, or other seasonal trappings. Although I don’t indulge in that sport, I do love taking pictures of my pets and other animals, and I thought I’d share some tips that have worked for me and for others.

1. Be patient. Pets don’t often pose. Sometimes they sniff your camera or your sleeve. At other times they decide to crawl under a table or fly on top of a dresser. Just wait quietly until they settle down.

<i>Scanning the Neighborhood</i> by Michael Fletcher 2. Try to capture a characteristic action or activity. If you’re shooting your pet, you know its personality. Try to take a picture that reflects some characteristic, such as curiosity, goofiness, adoration, or self-possession. You do not have to include every inch of your pet, only the parts needed to express what you’re trying to capture. This image by Michael Fletcher certainly shows how alert this little dog is!

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